2017 Newbery Medal recipient.
5 stars. Kelly Barnhill hits all the perfect notes for a satisfying middle grade fantasy in The Girl Who Drank the Moon. The story combines fantasy and fairy tale elements with dear characters, told with a sense of wonder and whimsy.
The Protectorate keeps its citizens safe from the surrounding forest and the witch who rules it by an annual sacrifice of the youngest baby in the community. The witch, Xan, is a kindhearted soul who rescues the babies, living in harmony with the world-wise yet sweet swamp monster Glerk and the hilariously hyper, undersized dragon Fyrian. Xan accidentally gifts one of the babies with magic. As Luna grows into her gifts, a madwoman in a tower and a young man in the Protectorate both seek to confront the witch.
After the initial scene where Luna is left in the woods, the plot is slow and meandering at first–interesting and pastoral, but not driven by events. The author takes the time to let the story unfold, and about halfway through I found myself reading it breathlessly to see how the threads would come together.
Barnhill’s world is creative; she builds it well through the eyes and ears of her characters. Her system of magic is interesting. The hints of the world beyond the scope of this story make it feel large; I’d love to hear some of the stories that are only mentioned in passing here.
What makes this book so darn likeable is the characters. Dialog is rich, and each character has a distinct personality and behaves in accordance with that personality. And the heart of the book is the bonds between Luna, Xan, Glerk, and Fyrian; they act out of love for one another. Even the bad characters can be understood (an improvement over the usual fairy tale tropes).
Themes are weighty: deception, safety vs. freedom, coming of age, the cost of our decisions. They are thoughtfully presented, and not dumbed down at all. I also appreciate that Barnhill respects the maturity of her audience enough to allow the dark moments to come through in her story. And there are certainly some moments that have intense impact; bad things definitely happen and there are characters who are truly evil.
Prose is warm, presented with a unique voice: a little rambling, a little whimsical, and always a pleasure to read. I particularly enjoyed the dialog. The interplay between Glerk and Fyrian is wonderful. Check out this little gem of warmth and humor:
[Glerk:] “We are going on a journey.”
“A real journey?” Fyrian said. “You mean, away from here?”
“That is the only kind of journey, young fellow.”
Everything about this exciting, wise, kind, and well-written gem of a story worked for me. The Girl Who Drank the Moon is well-deserving of its many accolades, and it just might become a classic of children’s literature.